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              Mancy 
              A'lan Kane - Paper Moon 
            Review 
              by Paul M. Carhart  
              Originally published in The Lighthouse Electronic 
              Magazine (TLeM) 
             
              The latest teen phenomenon to hit the Christian music scene is Mancy 
              A'lan Kane. About the only thing her new release, Paper Moon 
              has in common with her self-titled teaser CD that was released last 
              year, is the song, "After The Rain"...and anyone who has heard both 
              releases won't even recognize the common song this time around. 
              
            
 That's 
              not necessarily a bad thing though. Kane's teaser CD was decidedly 
              under-developed and very acoustic in nature, reminding one of a 
              coffee house performance. Paper Moon is much more a pop album, 
              relying on upbeat drums, baseline hooks and bright keyboard and 
              guitar texturing. Indeed, her latest outing has more in common with 
              the likes of Sarah Masen or a helium influenced Amy Grant. 
               
            So 
              where did she come from? Kane, now nineteen, sang background for 
              Jars Of Clay on a recent tour, who assisted in the lyric 
              department on no less than four songs on Paper Moon. She 
              signed her solo record deal on her eighteenth birthday and the rest 
              is ever-so-short history that we, as listeners have the pleasure 
              of witnessing first hand.  
            Vocally, 
              Kane's innocent voice shows much promise. Her performance is controlled 
              and surprisingly sincere for someone who has not experienced a whole 
              lot of life. In fact, what may be most remarkable is that Kane is 
              not merely a performer, but a songwriter and much of Paper Moon 
              reflects her introspective ponderings, many of which are inspired 
              by her parent's divorce and subsequent insomnia.  
            As 
              is often the case on an artist's debut album, musically, Paper 
              Moon runs the gauntlet from the decidedly pop opener, "Prettier 
              Colours" to the acoustically percussive "Mad On The Moon" and "Little 
              Girl" to the string laced title track and on through to the more 
              hip and upbeat "I'll Be The One" and "Hurricane."  
            All 
              in all, Kane doesn't seem to be trying to be anything other than 
              what she is: a nineteen year old girl who loves the Lord. Her music 
              reflects that, giving us all a taste of the thoughts, emotions and 
              insights that a young girl who has gone through some tough times 
              experiences. Young people will definitely identify directly with 
              Kane's music. For us older folks, perhaps through her music, we 
              can better understand what others might be going through.  
            At 
              nineteen, Mancy A'lan Kane has turned out a diverse and thoughtful 
              project with Paper Moon. Perhaps at twenty-one she'll dig 
              even deeper for an encore. 
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